A Merchant vessel of the earst century
The Merchant of Venice by William Shakespeare (line by Line Explanations)
Characters
Shylock
A Jewish moneylender in Venice. Angered by his mistreatment at the hands of Venice’s Christians, particularly the merchant Antonio, Shylock schemes to get revenge by ruthlessly demanding a pound of Antonio’s flesh as penalty for Antonio’s defaulting on a loan. The Christian characters in the play regard Shylock as an inhuman monster, frequently mocking him for being obsessed with money. In person, however, Shylock comes across as far more than a caricature or stereotype. His resentment at his mistreatment, his anger at his daughter’s betrayal, and his eloquent expressions of rage make him a convincing, entirely human character.
A Jewish moneylender in Venice. Angered by his mistreatment at the hands of Venice’s Christians, particularly the merchant Antonio, Shylock schemes to get revenge by ruthlessly demanding a pound of Antonio’s flesh as penalty for Antonio’s defaulting on a loan. The Christian characters in the play regard Shylock as an inhuman monster, frequently mocking him for being obsessed with money. In person, however, Shylock comes across as far more than a caricature or stereotype. His resentment at his mistreatment, his anger at his daughter’s betrayal, and his eloquent expressions of rage make him a convincing, entirely human character.
Portia
A wealthy heiress from Belmont. Portia’s beauty is matched only by her intelligence. Bound by a clause in her father’s will that forces her to marry whichever suitor chooses correctly among three caskets, Portia nonetheless longs to marry her true love, Bassanio. Far and away the cleverest of the play’s characters, Portia disguises herself as a young male law clerk in an attempt to save Antonio from Shylock’s knife.
A wealthy heiress from Belmont. Portia’s beauty is matched only by her intelligence. Bound by a clause in her father’s will that forces her to marry whichever suitor chooses correctly among three caskets, Portia nonetheless longs to marry her true love, Bassanio. Far and away the cleverest of the play’s characters, Portia disguises herself as a young male law clerk in an attempt to save Antonio from Shylock’s knife.
Antonio
The merchant whose love for his friend Bassanio prompts him to sign Shylock’s contract and almost lose his life. Antonio is something of a mercurial figure, often inexplicably melancholy and, as Shylock points out, possessed of an incorrigible dislike of Jews. Nonetheless, Antonio is beloved of his friends and proves merciful to Shylock, albeit with conditions.
The merchant whose love for his friend Bassanio prompts him to sign Shylock’s contract and almost lose his life. Antonio is something of a mercurial figure, often inexplicably melancholy and, as Shylock points out, possessed of an incorrigible dislike of Jews. Nonetheless, Antonio is beloved of his friends and proves merciful to Shylock, albeit with conditions.
Bassanio
A gentleman of Venice and a kinsman and dear friend to Antonio. Bassanio’s love for the wealthy Portia leads him to borrow money from Shylock with Antonio as his guarantor. An ineffectual businessman, Bassanio nonetheless proves himself a worthy suitor, correctly identifying the casket that contains Portia’s portrait.
A gentleman of Venice and a kinsman and dear friend to Antonio. Bassanio’s love for the wealthy Portia leads him to borrow money from Shylock with Antonio as his guarantor. An ineffectual businessman, Bassanio nonetheless proves himself a worthy suitor, correctly identifying the casket that contains Portia’s portrait.
Gratiano
A friend of Bassanio’s who accompanies him to Belmont. A coarse and garrulous young man, Gratiano is Shylock’s most vocal and insulting critic during the trial. While Bassanio courts Portia, Gratiano falls in love with and eventually weds Portia’s lady-in-waiting, Nerissa.
A friend of Bassanio’s who accompanies him to Belmont. A coarse and garrulous young man, Gratiano is Shylock’s most vocal and insulting critic during the trial. While Bassanio courts Portia, Gratiano falls in love with and eventually weds Portia’s lady-in-waiting, Nerissa.
Jessica
Although she is Shylock’s daughter, Jessica hates life in her father’s house and elopes with the young Christian gentleman Lorenzo. Launcelot jokingly calls into question what will happen to her soul, wondering if her marriage to a Christian can overcome the fact that she was born a Jew. We may wonder if her sale of a ring given to her father by her mother isn’t excessively callous.
Although she is Shylock’s daughter, Jessica hates life in her father’s house and elopes with the young Christian gentleman Lorenzo. Launcelot jokingly calls into question what will happen to her soul, wondering if her marriage to a Christian can overcome the fact that she was born a Jew. We may wonder if her sale of a ring given to her father by her mother isn’t excessively callous.
Lorenzo
A friend of Bassanio and Antonio. Lorenzo is in love with Shylock’s daughter, Jessica. He schemes to help Jessica escape from her father’s house and eventually elopes with her to Belmont.
A friend of Bassanio and Antonio. Lorenzo is in love with Shylock’s daughter, Jessica. He schemes to help Jessica escape from her father’s house and eventually elopes with her to Belmont.
Nerissa
Portia’s lady-in-waiting and confidante. Nerissa marries Gratiano and escorts Portia on Portia’s trip to Venice by disguising herself as Portia’s law clerk.
Portia’s lady-in-waiting and confidante. Nerissa marries Gratiano and escorts Portia on Portia’s trip to Venice by disguising herself as Portia’s law clerk.
Launcelot Gobbo
Bassanio’s servant. A comical, clownish figure who is especially adept at making puns, Launcelot leaves Shylock’s service in order to work for Bassanio.
Bassanio’s servant. A comical, clownish figure who is especially adept at making puns, Launcelot leaves Shylock’s service in order to work for Bassanio.
The prince of
Morocco
A Moorish prince who seeks Portia’s hand in marriage. The prince of Morocco asks Portia to ignore his dark complexion and seeks to win her by picking one of the three caskets. Certain that the caskets reflect Portia’s beauty and stature, the prince of Morocco picks the gold chest.
A Moorish prince who seeks Portia’s hand in marriage. The prince of Morocco asks Portia to ignore his dark complexion and seeks to win her by picking one of the three caskets. Certain that the caskets reflect Portia’s beauty and stature, the prince of Morocco picks the gold chest.
The prince of
Arragon
An arrogant Spanish nobleman who also attempts to win Portia’s hand by picking a casket. Like the prince of Morocco, however, the prince of Arragon chooses unwisely. He picks the silver casket, which gives him a message calling him an idiot rather than offering him Portia’s hand.
An arrogant Spanish nobleman who also attempts to win Portia’s hand by picking a casket. Like the prince of Morocco, however, the prince of Arragon chooses unwisely. He picks the silver casket, which gives him a message calling him an idiot rather than offering him Portia’s hand.
Salarino
A Venetian gentleman, and friend to Antonio, Bassanio, and Lorenzo. Salarino is often almost indistinguishable from his companion Solanio.
A Venetian gentleman, and friend to Antonio, Bassanio, and Lorenzo. Salarino is often almost indistinguishable from his companion Solanio.
Solanio
A Venetian gentleman, and frequent counterpart to Salerio.
A Venetian gentleman, and frequent counterpart to Salerio.
Salerio
A Venetian gentleman and messanger. Salerio returns with Bassanio and Gratiano for Antonio’s trial.
A Venetian gentleman and messanger. Salerio returns with Bassanio and Gratiano for Antonio’s trial.
The Duke of
Venice
The ruler of Venice, who presides over Antonio’s trial. Although he is a powerful man, the state he rules depends on respect for the law, and he is unable to bend the law to help Antonio.
The ruler of Venice, who presides over Antonio’s trial. Although he is a powerful man, the state he rules depends on respect for the law, and he is unable to bend the law to help Antonio.
Gobbo
Launcelot’s father, also a servant in Venice.
Launcelot’s father, also a servant in Venice.
Tubal
A wealthy Jew in Venice and one of Shylock’s friends.
A wealthy Jew in Venice and one of Shylock’s friends.
Doctor Bellario
A wealthy Paduan lawyer and Portia’s cousin. Although Doctor Bellario never appears in the play, he gives Portia’s servant the letters of introduction needed for Portia to make her appearance in court.
A wealthy Paduan lawyer and Portia’s cousin. Although Doctor Bellario never appears in the play, he gives Portia’s servant the letters of introduction needed for Portia to make her appearance in court.
Balthazar
Portia’s servant, whom she dispatches to get the appropriate materials from Doctor Bellario.
Portia’s servant, whom she dispatches to get the appropriate materials from Doctor Bellario.
Stephano
A messenger who works for Portia.
A messenger who works for Portia.
Leonardo
One of Bassanio’s servants.
One of Bassanio’s servants.
Act 1 Scene 1
Original Shakespearian text
Enter ANTONIO, SALARINO,
and SOLANIO
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ANTONIO
In sooth, I
know not why I am so sad.
It wearies
me; you say it wearies you.
But how I
caught it, found it, or came by it,
What stuff
’tis made of, whereof it is born,
I am to
learn.
And such a
want-wit sadness makes of me,
That I have
much ado to know myself.
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SALARINO
Your mind is
tossing on the ocean,
There, where
your argosies with portly sail,
Like signors
and rich burghers on the flood—
Or, as it
were, the pageants of the sea—
Do overpeer
the petty traffickers
That curtsy
to them, do them reverence
As they fly
by them with their woven wings.
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SOLANIO
Believe me,
sir, had I such venture forth,
The better
part of my affections would
Be with my
hopes abroad. I should be still
Plucking the
grass to know where sits the wind,
Peering in
maps for ports and piers and roads.
And every
object that might make me fear
Misfortune to
my ventures out of doubt
Would make me
sad.
Now in plain English the explanation text
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